Art is a form of expression for many people, and no one necessary has to
identify as an artist for them to be part of the art world. We use art to identify and invent who we are
in the world. For many of us art is way of self-invention, and we use to
represent ourselves through images. Throughout the semester selfie’s and
identity became intertwined for me, and I was able to see myself through a different
lens.
Images, selfies specifically,
help us represent who we are in different ways. If we take a look at Cindy
Sherman she was constantly reevaluating who she was through different characters.
In every selfie it was someone new, and someone she might have saw herself in.
It was not necessarily who she was, but it was who she represented. In one
series where the images where very dark, many of us could see the angry she was
feeling in the art industry. It shows that who we are represents itself in the
art work. Images are an outlet to show people what we are feeling, and what we stand
for. Many choose to talk about the idea of the male gaze. For example, Orlan
reconstructed her whole face in surgery as a work of art and a question of the
male gaze. Male gaze has always been a topic, even in the Ways of seeing where
he says that “men survey women before treating them” (Berger 46).
The media plays a big
factor in the way art is formed, especially in this day and age. There are so
many social networks now that it is almost impossible not to find anything that
suits everyone. Artist now use social media as a platform to get their artwork
out there, and for many artists it works. In the Art of Self-Invention, it says
that “we are in the era where impressions matter, and where reputations is both
an asset and a liability” (Finkelstein 122). The media in general teaches us
that we can be different and individual, and when we factor in artist and art
that definitely applies. Some of my selfies were ones I later used for snapchat
or Instagram. Just like the first selfie I had ever posted with the dog filter,
which was on my snapchat. There are many artists with different patterns, techniques,
idea, and styles and each of them represent who they are individually. It can
be difficult to find the same artistry twice, which is amazing. Also, selfies
are a huge platform on social media, and despite what older generation say, it
is very artsy to post selfies. It self-expression in a whole new way.
Culture is unquestionably
an immense factor when it comes to art and identity. If we look at the different
paintings through time and the different cultures they were placed in, then we
can see the difference, between them. Frida Kahlo, a Mexican artist, selfies
and paintings showed her love for her culture and her support for political
causes. While an artist in Europe took a different turn by using the idea of
the male gaze and beauty for their art. Identity shapes who we are, and culture
is a huge part of our identity. Many artists only use their cultural background
to make their images. One of my selfies was of me lying down on my prayer rug,
wearing a Palestinian scarf. The scarf is a huge part of my culture and my
identity, and without them, then nothing would make sense.
Images will always
define us in this new time of technology, and which images we share says a lot
about who we are. I had many more pictures of my surgery, but I choose to only
share of my arm and the inside of my stomach. This is because I am more private
about my surgery, but not so much that I am not willing to share about it. If
we think about the different artist who later died and many more works were
discovered, then does that not say something about them? It brings the question
as to why some were released and others were not. It also says a lot of who
they are and how much they want to give away for the world. Even Joanne Finkelstein
said that the “art and real life are both fictional accounts of each other, and
we variously play the spectator and artist with various degrees of enjoyment” (11).
Finkelstein, Joanne. The Art of Self Invention: Image and Identity in
Popular Visual Culture. London: I.B. Tauris, 2007. Print.
Berger, John. Ways of Seeing. London, England: British
Broadcasting Corporation, 1973. Print.


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